Chapter 6: The Signature That Shouldn't Exist
Diane placed the agreement in front of Margaret.
"There's no reason for this to become more complicated than it needs to be," she said smoothly.
"Elizabeth signed away her rights years ago. Emily has simply inherited material that doesn't belong to her.""
I stared at the document.
The paper looked old.
The signature at the bottom looked familiar.
It was my mother's.
But something about it bothered me.
"Where did you get that?"" I asked.
Diane smiled.
"From my personal archives.""
"Why have you never mentioned it?""
"Because until now, there was no reason.""
Vanessa pulled out a chair and sat down.
She looked delighted.
"Maybe now we can finally stop pretending Emily is some kind of fashion genius.""
Margaret ignored her.
She examined the document carefully.
"Ms. Mitchell, do you have the original?""
"Of course.""
"May I see it?""
Diane handed over the portfolio.
Inside were several papers, including the agreement, a typed inventory of designs, and a photograph of my mother's original blue-and-red gown.
Margaret compared the signature with the one in the competition archives.
Then she looked at me.
"Emily, do you have access to any documents your mother signed around that period?""
I shook my head.
"Not from twenty-two years ago.""
Dad suddenly spoke.
"Wait.""
Everyone turned.
He reached into his briefcase.
"I may have something.""
He pulled out a small envelope.
"I found this in Elizabeth's sewing box after she died. I never knew what it was.""
My heart began racing.
He opened the envelope and removed a folded piece of paper.
It was a letter.
The handwriting was unmistakably Mom's.
Margaret asked permission to read it.
Dad nodded.
She unfolded the letter.
Dear Margaret,
I am writing to confirm that I have never sold, transferred, or surrendered ownership of my original designs to Diane Mitchell.
She has repeatedly asked me to sign documents that I do not agree with. I have refused.
I am concerned that she may attempt to use my signature without permission. Please preserve the original competition records.
I will not allow someone else to claim work I created with my own hands.
Elizabeth Carter.
The letter was dated three weeks before the agreement Diane had just presented.
Nobody spoke.
Diane's expression changed.
"That letter proves nothing.""
Margaret looked at her.
"It directly contradicts your claim.""
"Elizabeth was upset. She wasn't thinking clearly.""
"Then why did you submit an agreement supposedly signed by her three weeks later?""
Diane lifted her chin.
"Because she changed her mind.""
I looked at the document again.
"Can I see it?""
Margaret handed it to me.
I examined the signature.
Something was wrong.
Mom always signed her name with a small loop at the end of the letter C. I'd watched her do it thousands of times on birthday cards, school forms, and the labels she attached to finished garments.
The signature on Diane's agreement had no loop.
It looked like someone had copied her name from another document.
I pointed to it.
"That's not how my mother signed her name.""
Diane laughed.
"Are you seriously claiming to be a handwriting expert?""
"No. I'm claiming to know my mother's handwriting.""
Vanessa rolled her eyes.
"Here we go again.""
Margaret took the document back.
"We'll have this independently examined.""
Diane stood.
"That's unnecessary.""
"Then you shouldn't object.""
The older man who had accompanied Diane finally spoke.
"My client has a legitimate agreement. I suggest you avoid making accusations.""
Margaret turned toward him.
"Your client has provided a document that contradicts a letter from the same period. We have every reason to investigate.""
The man closed his portfolio.
"Then perhaps we should discuss the matter privately.""
"No," Margaret said.
"Everything submitted to this competition will be handled through the official review process.""
Diane's smile vanished.
She turned toward Dad.
"Richard, surely you can explain to them how confused Elizabeth was during that period.""
Dad looked stunned.
"What?""
"You knew how difficult things became toward the end of her life.""
I felt my stomach tighten.
Diane was trying to use Mom's illness against her.
Dad stood slowly.
"Don't.""
Diane blinked.
"Excuse me?""
"Don't you dare talk about Elizabeth like that.""
For the first time, I saw genuine anger in his face.
"She worked harder than anyone I've ever known. She made beautiful things while raising a daughter and fighting an illness you wouldn't understand.""
Diane's voice sharpened.
"I was trying to help her.""
"No. You were competing with her.""
The room went silent.
Vanessa looked at her mother.
"Mom, let's go.""
But Diane wasn't finished.
She turned toward me.
"Emily, you have no idea what you're getting yourself into. Your mother made enemies because she refused to be realistic. Don't make the same mistake.""
I held her gaze.
"I'm not afraid of you.""
She leaned closer.
"Maybe you should be.""
Margaret stepped between us.
"That's enough. This meeting is over.""
Diane gathered her papers.
But as she turned, one sheet slipped from her folder and landed beside my chair.
I bent down to pick it up.
It was a printed invoice.
The heading read:
*ATELIER DIANE — DESIGN DEVELOPMENT SERVICES.*
The invoice listed several payments made to an independent pattern maker.
The first payment was dated two weeks before Vanessa had poured paint over my dress.
The description caught my attention.
Reconstruction of Elizabeth Carter's original midnight rose gown. Full-size pattern, bodice, skirt, crystal placement.
I stared at it.
Diane reached for the paper.
"That's private business information.""
I pulled it away.
"Why did you pay someone to reconstruct my mother's dress?""
"That's none of your concern.""
"It became my concern when you submitted it under your name.""
Diane snatched the invoice.
Then she turned toward Vanessa.
"Come on.""
They left the conference room.
The older man followed.
Dad sat down heavily.
"I can't believe this.""
I looked at the door.
"Neither can I.""
Margaret gathered the documents.
"Emily, I want you to keep every piece of evidence. Don't delete anything. Don't contact Diane or Vanessa about this matter without speaking to us first.""
"Will I still be allowed to compete?""
Margaret considered the question.
"Your application is being reviewed. But I can tell you this: your design is original in its execution, and your evidence is substantial.""
I nodded.
"Thank you.""
She smiled.
"And one more thing.""
She opened a drawer and removed a small photograph.
It showed my mother standing beside a sewing machine, holding a little girl in her arms.
I recognized the little girl.
It was me.
Margaret turned the photograph over.
On the back was a handwritten message.
To my future designer. Never let anyone convince you that your hands are less capable than theirs.
I swallowed hard.
"Where did you get this?""
"Your mother sent it to me years ago, along with her original competition portfolio.""
I stared at her.
"Why?""
Margaret smiled sadly.
"She wanted me to keep it safe in case you ever decided to follow in her footsteps.""
My eyes filled with tears.
Mom had known.
Somehow, she'd known.
I left the academy carrying my dress and the photograph.
Dad walked beside me in silence.
When we reached the car, he stopped.
"Emily, there's something I need to tell you.""
I turned.
He looked older than he had that morning.
"I found something else in Elizabeth's sewing box.""
"What?""
"A second envelope. I didn't open it because it had Diane's name written on the front.""
My stomach tightened.
"Where is it?""
"At home.""
"Why didn't you tell me?""
He looked away.
"Because I was afraid of what it might contain.""
We drove home.
Dad went straight to his office and returned with a sealed envelope.
The paper was yellowed with age.
On the front, Mom had written:
*For Richard. Only open if Diane ever comes back into our lives.*
Dad's hands trembled.
He opened it carefully.
Inside was a letter and a small USB drive.
He began reading.
His face changed with every line.
Then he stopped.
"Emily...""
"What?""
He looked at me, his eyes filled with disbelief.
"Your mother says Diane wasn't just trying to steal her designs.""
He handed me the letter.
The final paragraph read:
Richard, if Diane ever tries to enter our family again, please find out what happened to the money from my final collection. I discovered that someone used my business account without my permission. I never confronted her because I was afraid of what she might do.
I looked at Dad.
"What money?""
He swallowed.
"Emily, your mother had a life insurance policy. And according to the documents I found after she died...""
He paused.
"Diane was listed as the person who received the final payment from her business account.""
I stared at him.
The room went silent.
Then the USB drive slipped from his fingers and hit the desk.
A small label was attached to it.
May you like
In Mom's handwriting were four words:
*The truth about Diane.*